My starting point is the human body. Nobody in particular, but fragments.
Something that shows the momentary image of a feeling, a movement, an atmosphere.
Obsession of the line, the fold, the volume, the cut surface in full, in vacuum, of the fault.
Constant reference to architecture, architectures. That of buildings, a garment, an industrial object, the body of a dancer in motion or that of the plans of a landscape, a musical motif.
My repertoire of forms draws on a memory of places, signs, fragments, impressions.
Through my sculptures, I lead a quest for motion in motionless. I try to register the earth in a deployment, a tectonic dimension, a rhythmic.
When some of my murals swell with the breath of a breath, others proceed by dissemination.
My approach questions the relationship that the work has with the interior space that it contains - this place where the void can act - as with the one where it fits and evolves under the strolling of the gaze. At the same time extension of an architecture, a place and imprint / presence hollow in a space.
With each new research, I try to establish a dialogue between form and light, form and color. Nimber lines and volumes of an atmospheric flow, an impalpable passage to cause a vibration.
Light is essential, a material in itself, as important as the earth, for me, in the affirmation of a plastic presence ".